Marie Antoinette Information

The contrast between the elegance of the French royal court and the barbarity of the French Revolution makes the story of Marie Antoinette, France’s last queen, a vivid and hypnotic narrative. Marie Antoinette – The Scapegoat Queen follows the Austrian-born princess through the complex politics of her arranged marriage to her sometimes scandalous behavior as Queen of France to her harsh end on the guillotine, arguing that though often foolish, Antoinette deserved neither her savage fate nor her reputation as a callous tyrant.

The documentary uses an impressive wealth of paintings, sculptures, and architecture to capture the flamboyance and playful flavor of the French aristocracy, and also uses occasional snippets of movies about the period to provide a little more visual activity. All in all, a thorough depiction of an incredible historical period…though whether Antoinette comes across as anything but a self-serving pawn of history is debatable, despite the documentary’s emphasis on her few moments of dignity. –Bret Fetzer

Product Description

“I was a queen, and you took away my crown, a wife, and you killed my husband, a mother, and you took my children away from me. All I have left is my blood: Take it, but do not make me suffer long.” – Marie Antoinette

Marie Antoinette, the young and beautiful Austrian princess who was strategically married into the most prestigious monarchy in Europe, was to become the symbol for the wanton extravagance of the 18th century aristocracy and was to be France’s last queen.

This is the story of the woman who became one of the most romanticized and tragic figures of history.

“Evocative photography and a wealth of detail make the book a visual treat.”—Interior Design

Marie Antoinette, whose marriage at fifteen made her queen of France before she was twenty, died under the blade of the guillotine in 1793. She has been romanticized as the martyred queen, admired as the personification of eighteenth-century French royal style, and vilified as the Austrian whose frivolous extravagance and foreign sympathies fired the French Revolution.

This book turns aside from the official portraits and great historical events to rediscover the private places and objects that reflect Marie Antoinette’s personality and reveal her more directly to our modern gaze. Beautifully photographed by François Halard, the rooms and buildings she inhabited are shown here in fascinating detail, from the distinctive fabrics and furnishings to the queen’s favorite objects—an amber curiosity, a Chinese lacquer gift from her mother, a porcelain bowl. 123 illustrations, 108 in color.

About the Author
Marie-France Boyer is a freelance journalist and the Paris Editor of The World of Interiors magazine. François Halard contributes to many magazines, including The World of Interiors, Décoration Internationale, Vogue, and House & Garden.

In the past, Antonia Fraser’s bestselling histories and biographies have focused on people and events in her native England, from Mary Queen of Scots to Faith and Treason: The Story of the Gunpowder Plot. Now she crosses the Channel to live the life of France’s unhappiest queen, bringing along her gift for fluent storytelling, vivid characterization, and evocative historical background.

Marie Antoinette (1755-93) emerges in Fraser’s sympathetic portrait as a goodhearted girl woefully undereducated and poorly prepared for the dynastic political intrigues into which she was thrust at age 14, when her mother, Empress Maria Theresa, married her off to the future Louis XVI to further Austria’s interests in France. Far from being the licentious monster later depicted by the radicals who sent her to the guillotine at the height of the French Revolution, young Marie Antoinette was quite prudish, as well as thoroughly humiliated by her husband’s widely known failure to have complete intercourse with her for seven long years (the gory details were reported to any number of concerned royal parties, including her mother and brother).

She compensated by spending lavishly on clothes and palaces, but Fraser points out that this hardly made her unique among 18th-century royalty, and in any case the causes of the Revolution went far beyond one woman’s frivolities. The moving final chapters show Marie Antoinette gaining in dignity and courage as the Revolution stripped her of everything, subjected her to horrific brutalities (a mob paraded the head of her closest female friend on a pike below her window), and eventually took her life.

Fraser makes no attempt to hide the queen’s shortcomings, in particular her poor political skills, but focuses on her personal warmth and noble bearing during her final ordeal. It’s another fine piece of popular historical biography to add to Fraser’s already impressive bibliography. –Wendy Smith
–This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

A child-princess is married off to a husband of limited carnal appetite. Her indiscretions and na‹vet‚, scorned by elderly dowagers, are coupled with charity, joie de vivre and almost divine glamour but her life is cut brutally short. The queen of France’s life is rich in emotional resonance, riddled with sexual subplots and personal tragedies, and provides fertile ground for biographers.

Fraser’s sizable new portrait avoids the saccharine romance of Evelyne Lever’s recent Marie Antoinette, balancing empathy for the pleasure-loving queen with an awareness of the inequalities that fed revolution after all, Marie herself was fully conscious of them. Her subject shows no let-them-eat cake arrogance, but is deeply (even surprisingly) compassionate, with a “public reputation for sweetness and mercy” that is only later sullied by vituperative pamphleteers and bitter unrest.

She would sometimes be trapped by ingenuousness, and later by a fatal sense of duty. Yet her graceful bearing, acquired under the tutelage of her demanding mother, the empress Maria Teresa, made her an unusually popular princess before she was scapegoated as “Madame Deficit” and much, much worse. The portrait is drawn delicately, with pleasant touches of humor (a long-awaited baby is conceived around the time of Benjamin Franklin’s visit: “Perhaps the King found this first contact with the virile New World inspirational”). Fraser’s approach is controlled and thoughtful, avoiding the extravagance of Alison Weir’s royal biographies. Her queen is neither heroine nor villain, but a young wife and mother who, in her journey into maturity, finds herself caught in a deadly vise. Color and b&w illus. (on sale: Sept. 18) Forecast: Fraser needs no introduction to American audiences. She will come over from England for a five-city tour, and with widespreand favorable reviews, this should have no trouble making the bestseller lists. It’s a BOMC, History Book Club, Literary Guild and QPB selection.