Marie Antoinette Information

Grade 7-10– This serviceable biography, Marie Antoinette: And The Decline Of French Monarchy, covers the famous French queen’s life from birth to execution. There are numerous engravings and fine-art reproductions, minus David’s famous drawing of Marie Antoinette on her way to the guillotine.There are no maps of Europe and of Paris and its environs or genealogical charts of the Austrian and French royal families. The writing is pedestrian and often awkward; a number of unfamiliar terms aren’t defined. There are some errors, typos, and a number of unexplained or confusing references–such as how many children Maria Theresa had and why there was so much contention among French royals. Not outstanding in any way.–Ann W. Moore, Schenectady County Public Library, NY

Gr. 9-12. YAs who associate Marie Antoinette with frivolous excess may be surprised by the positive portrayal in this biography. Divided at age 14 from her Austrian homeland and forced to marry the “awkward, lumbering” heir to the French throne, the young dauphine faced indisputably tough circumstances. Unfortunately, the authors present the queen as the innocent target of a restive public’s ire without consistently offering supporting evidence.

Though the more sympathetic view is widely accepted by modern historians (many of whose own analyses are listed in the concluding bibliography), neglecting to support one’s conclusions and acknowledge surmise where it occurs does a disservice to young readers. Despite imperfections, though, this entry in the new European Queens series provides an engaging point of entry into the history of the French Revolution. Moreover, for YA appeal, it’s hard to beat a historical figure whose story features a controversial diamond necklace, public speculation about the royals’ troubled sex life, and, of course, a tragic, bloody conclusion. Jennifer Mattson

The contrast between the elegance of the French royal court and the barbarity of the French Revolution makes the story of Marie Antoinette, France’s last queen, a vivid and hypnotic narrative. Marie Antoinette – The Scapegoat Queen follows the Austrian-born princess through the complex politics of her arranged marriage to her sometimes scandalous behavior as Queen of France to her harsh end on the guillotine, arguing that though often foolish, Antoinette deserved neither her savage fate nor her reputation as a callous tyrant.

The documentary uses an impressive wealth of paintings, sculptures, and architecture to capture the flamboyance and playful flavor of the French aristocracy, and also uses occasional snippets of movies about the period to provide a little more visual activity. All in all, a thorough depiction of an incredible historical period…though whether Antoinette comes across as anything but a self-serving pawn of history is debatable, despite the documentary’s emphasis on her few moments of dignity. –Bret Fetzer

Product Description

“I was a queen, and you took away my crown, a wife, and you killed my husband, a mother, and you took my children away from me. All I have left is my blood: Take it, but do not make me suffer long.” – Marie Antoinette

Marie Antoinette, the young and beautiful Austrian princess who was strategically married into the most prestigious monarchy in Europe, was to become the symbol for the wanton extravagance of the 18th century aristocracy and was to be France’s last queen.

This is the story of the woman who became one of the most romanticized and tragic figures of history.

Marie Antoinette: A Film by David Grubin (2006)

This is the story of a callous monarch, swept to her death in the torrent of the French Revolution. It is also the tale of a fragile young woman struggling to find herself during one of the most turbulent moments in human history. Filmed in France and Austria, with rare access to Versailles, Le Petit Trianon, and the Austro-Hungarian palaces of her youth, Marie Antoinette will tell the intensely human story of the often misunderstood monarch who was beheaded during the turbulence and horror of the French revolution.

Marie Antoinette: Princess of Versailles, Austria-France, 1769 (The Royal Diaries)
“I look up now into the oval mirror and see barely a trace of the mud-splattered girl tearing through the woodland on her horse, or the barefoot girl wading at Schonbrunn… I have become what Mama set out for me to be. Majestic. A Dauphine and eventually a Queen.”

So writes the headstrong 13-year-old Maria Antonia–future Queen of France–in her diary on October 23, 1769. In this engrossing addition to the Royal Diaries series (Elizabeth I: Red Rose of the House of Tudor, Cleopatra VII: Daughter of the Nile), Kathryn Lasky invents a diary of the young Marie Antoinette in 1769–the year she is to be married off to Dauphin Louis Auguste, eldest grandson of the French king Louis XV. Arranged marriages were common in that day and age–as the Empress Theresa (of the Holy Roman Empire of the Germanic Nations) sought to consolidate power among nations by marrying off her children. Thus, the future of Austria and France falls upon Maria Antonia’s young shoulders.

To prepare her for this awesome responsibility, she must be trained to write, read, speak French, dress, act… even breathe. Things get even more grim as she is shipped off to the court of Versailles and introduced to her puffy, awkward future husband and confronted with the court’s ridiculous customs. Marie–an opinionated and insightful young woman–mocks the court of “impeccable etiquette and manners” that makes up nasty rhymes about those they hate, but panics when her hair is mussed. Lasky has done an excellent job of creating a very human character in the young Marie Antoinette–one whom young readers will want to learn more about. Fortunately, her story is given plenty of context with an epilogue describing the history of the young Queen after 1769, a historical note offering an 18th-century context, a Habsburg-Bourbon family tree, and various portraits of the royal family. (Ages 9 to 13) –Karin Snelson

From School Library Journal

Grade 5-8-Lasky takes historical fact and weaves it into a sympathetic account of an adolescent Marie Antoinette. Antonia’s diary begins shortly before her politically arranged betrothal and marriage to Louis Auguste, Dauphin of France. It describes her struggles with strange new customs, in particular the elaborate French Court etiquette. The descriptions of Versailles and palace life hold true to fact and fit well into the diary of the Dauphine experiencing her new country. The diary also does a believable job of taking Marie Antoinette from a girl of 13 to a young woman of 15. Antonia goes from playing childhood games to become Marie Antoinette, future queen, playing political games with Madame du Barry. At the conclusion of the novel, an epilogue continues the story to its historical completion. Notes and a family tree are useful for readers who know little of 18th-century royalty and politics. This will be a popular addition for readers who favor the diary format in historical fiction. An excellent companion to this series is Milton Meltzer’s Ten Queens (Dutton, 1998).
Carolyn Janssen, Rockford Public Library, IL

While much was made of the fact that Marie Antoinette elicited boos at Cannes, the many favorable reviews attracted less attention. Inspired by Antonia Fraser’s biography, Sofia Coppola fashions a portrait that’s just as dreamy as The Virgin Suicides, her first literary adaptation, and the Oscar-winning Lost in Translation. Set to a soundtrack of post-punk (a conceit that adds more interest than resonance), the teenaged Marie (Kirsten Dunst, quite good) may be shallow, but she’s rarely unsympathetic. The story begins in the late-18th century as the Austrian Archduchess agrees to marry Louis-Auguste (Jason Schwartzman). After bidding adieu to her mother, Maria Theresa (Marianne Faithfull), she travels to France, where King Louis XV (Rip Torn) sets the rules–and the list is endless (Judy Davis’ Comtesse de Noailles is the primary enforcer). As for the Dauphin, he’s just a boy, really, with more interest in his key collection than their marriage bed. Should Marie produce an heir, it might be enough to sustain her–since life is nothing but an endless shopping spree–but clouds gather on the horizon as an impoverished populace rises up against their extravagant leaders. Coppola merely suggests what happens next, although history paints a darker picture. Filmed in and around the Chateau of Versailles, Marie Antoinette is a riot of rustling gowns, sparkling jewels, and Manolo Blahnik-designed shoes. To say that style trumps substance does its maker a disservice, but the look of the thing does leave the deepest impression. –Kathleen C. Fennessy

Extras from Marie Antoinette (click for larger image)

Featurette: On the filming of Marie Antoinette: high bandwidth

Film Clip: “The Introduction” high bandwidth

Film Clip: “The Royal Treatment” high bandwidth

Stills from Marie Antoinette (click for larger image)

Description

Academy Award® winner Sofia Coppola directs an electrifying yet intimate re-telling of the turbulent life of history’s favorite villainess, Marie Antoinette. Kirsten Dunst portrays the ill-fated child princess who married France’s young and indifferent King Louis XVI Jason Schwartzman. Feeling isolated in a royal court rife with scandal and intrigue, Marie Antoinette defied both royalty and commoner by living like a rock star, which served only to seal her fate.